2009-2010

Queens College Art Center

The Poetics of Transculture

September 9 - October 30, 2009

The Poetics of Transculture is two site-specific installations:

Universal Language: Installation by Franca Marini
A site-specific installation, Universal Language is inspired by the shape of the Queens College Art Center gallery, the importance of written language for human knowledge, and the metaphor of space in libraries. Franca Marini, from Siena, Italy, is a multimedia artist whose work plays with the dimensions of urban lines, landscapes, and transculture. Marini has exhibited extensively in the United States and internationally, and her work is in many collections around the world.

ASTORIA in Poetry and Images: Exile/People/Places: Installation by Nicos Alexiou
Since the 1960s Astoria, Queens, has been home to the largest Greek community outside of Greece. Alexiou’s work speaks to the poetics of Astoria and its influences on Greek American identity. Photographer Sophia Vourdoukis and other Greek American artists parallel Alexiou’s poetry through their own personal documentation of Astoria’s people and places. Nicos Alexiou teaches in the Department of Sociology and The Center for Byzantine and Modern Greek Studies at Queens College. This exhibition is cosponsored by The Center for Byzantine & Modern Greek Studies.

2008-2009

Queens College Art Center

The Fairfield Porter Reading Room

May 5 - 22, 2009

The Fairfield Porter Reading Room, an installation by Tara Mathison based on American painter Fairfield Porter's syllabus when he taught at Queens College. The Reading Room is open to the public from 12 pm - 5 pm on Tuesdays, Wednesdays and Fridays from May 5 through 22, 2009. Reference and online services will be available.
Queens College Art Center

Jonas Angelet and Drew Malcolm: Strange Games: RJA vs. ALM 2

April 2 - May 2, 2009

Features new paintings and prints from Jonas Angelet and Drew Malcolm, two artists interested in different, but similar threads of social issues and contemporary technology culture. Opening with reception and artist talks on April 2, 2009, 5 – 8 PM.
Queens College Art Center

In House: Brouhaha Ritualsy Business

February 19 - March 30, 2009

An Installation by the LLC. The LLC. is collabortively composed of Kassie Asmann-Teng, Erin Jones, Tara Mathison, Jessica Wilson. Other members include Jenny San Martin.
Queens College Art Center

Re:Rebus (Non Verbis Sed Rebus!): Selections from Queens College Art Library Special Collections

March 9 to April 7, 2009

Rebuses received notoriety from the puzzles composed by French clerks at carnivals for satirical current event commentary. Voltaire was said to have exchanged rebuses with Frederick the Great. In approaching rebuses as a means of communicating with other visually-curious people "Re:Rebus" is curator Tara Mathison's response to Muniz's MoMA Rebus, using the permanent special collection of the Queens College Art Library.

2007-2008

Queens College Art Center

Anna Matoušková: Places: Abstract Paintings, Drawings and Glass Sculpture - Homage to Leo Kraft

Wednesday, April 9 – Thursday, July 10, 2008

In Places, the Czech artist Anna Matoušková uses painting, drawing and sculpture to give an objective form to her inner reflections on music by the American composer Leo Kraft. The project began to take shape five years ago, after Matoušková, a Czech artist, and Kraft, an American composer, musical theorist, author and educator, a Professor Emeritus at Queens College, met in Prague. The two spent hours talking about art and music. Through a continuing dialogue, they discovered that while their media and backgrounds differ, their artistic concerns and creative processes are aligned. In discussing and sharing their work, Kraft and Matoušková developed an artistic friendship that bridges age, gender, nationality and artistic discipline. Their mutual appreciation has enriched and inspired each of them.
Queens College Art Center

White Landscape : Drawings by Jin Lee

Thursday February 7- Friday March 28, 2008

In White Landscape, Jin Lee plays with the idea that life forms develop in unexpected ways. Her intricate, semi-abstract paintings and drawings—often composed from thousands of tiny, dot-like marks—appear to be growing and changing as one observes them. Simultaneously microscopic and cosmically huge, these imaginary biomorphic structures suggest undiscovered plants and animals.
Queens College Art Center

Brush with Nature: Installation Art by Barbara Roux

Monday November 5 – Friday December 21, 2007

Barbara Roux is an ecology-based artist and conservationist whose work is influenced by her efforts to protect habitats and record incidents in natural history. She is inspired by her father (a pharmacologist who did research in the Amazon), her own stays in wilderness areas around the world, and her interactions with scientists on plant-related research, natural history and contemporary art . Her installations/pieces employ symbolism and anthropomorphism to evoke a sense of mystery, freshness and recognition, drawing the viewer in by metaphor.
Queens College Art Center

Face to Face: From See to Shining See; Photographs by Sid Kerner

Monday August 27 - Wednesday October 31, 2007

In the Face to Face series, New York City photographer Sid Kerner gives the viewer an opportunity to experience the human side of familiar, everyday objects. Kerner began observing New York City through the eye of the camera in 1937, when he joined the Photo League at age 17.
Naomi Grossman Writing on the Body

Writing on the Body

New Work by Naomi Grossman

Thursday, November 5 - Wednesday, February 26, 2010
Opening Reception + Artist's Talk on Thursday, November 5 from 6 - 8 PM

Focusing on elements of drawing while using a range of materials such as wire, wax, charcoal, and photography, Grossman’s work sensitively portrays the push and pull of power within the tangles of human relationships. Naomi Grossman, a Queens College alumna, is a mixed media artist whose work frequently explores themes of power, control, relationships, and finding an authentic voice.

Exhibition Information

Queens College Art Center
Queens College Art Center
Queens College Art Center
Queens College Art Center
Queens College Art Center
Queens College Art Center

Crystal Clear // Sculpture & Prints

Claire Lieberman

March 11, 2010—April 30, 2010 / Opening Reception with Artist's Talk on Thursday, March 11, 2010 , 5 - 8PM

Can balance between use and consumption be achieved? What constructions are placed on nature and how do interpretations of nature foster better understanding of preservation needs? Lieberman’s sculptures, prints, videos, and installations for Crystal Clear propose a critical dialogue on the future of nature and transmit narratives linked to contemporary ideas of survival. Reception: Thursday, March 11, 2010 , 5 - 8PM; Artist's Talk, 6–7 pm

Sills

Illusion/Allusion

Sculptures by Susan Sills

May 6, 2010—June 30, 2010 with Opening Reception and Artist's Talk on Thursday, May 6, 2010 from 5 - 8PM

Susan Sills’ whimsical, free-standing sculptures reconstruct the timelines of modern art history, making way for this playful narrative. When these life-sized cutouts are released from the confinements of their frames and thrust into real space and time, familiar images take on new dimensions for the viewer that invariably provoke not only whimsy, but fresh insights into art’s potential future. Susan Sills, a native New Yorker and Queens College alumna, is affiliated with Viridian Artists. She lives and works in Brooklyn, New York.