A FEW GENERAL SOURCES
Altick, Richard. The English Common Reader. Chicago: University of Chicago Press, 1957.
Davis, Lennard J. Factual Fictions: The Origins of the English Novel. New York: Columbia University Press, 1983.
Day, Robert Adams. Told in Letters: Epistolary Fiction before Richardson. Ann Arbor: University of Michigan Press, 1966.
McKeon, Michael. The Origins of the English Novel 1600-1740. Baltimore: Johns Hopkins University Press, 1987.
Preston, John. The Created Self: The Reader's Role in Eighteenth-Century Fiction. London: Heinemann, 1970.
Probyn, Clive T. English Fiction of the Eighteenth Century. London: Longman, 1987.
Rader, Ralph W. "Defoe, Richardson, Joyce and the Concept of Form in the Novel," in Autobiography, Biography and the Novel, ed. William Matthews and Ralph W. Rader. Los Angeles: William Andrews Clark Memorial Library, 1973. Rpt. in David Richter, The Critical Tradition. Boston: Bedford Books, 1989.
-----. "From Richardson to Austen: 'Johnson's Rule' and the Eighteenth-Century Novel of Moral Action," in Johnson and His Age, ed. James Engall, 461-83. Cambridge: Harvard University Press, 1984.
-----. "The Emergence of the Novel in England: Genre in History vs. History of Genre." Narrative 1: 1 (January 1993): 69-83; and also Michael McKeon, "Reply to Ralph Rader," 84-90, and Rader, "The Novel and History Once More," in Narrative 1:2 (May 1993): 173-183.
Richetti, John. Popular Fiction before Richardson. Oxford: Clarendon Press, 1969.
Sacks, Sheldon. Fiction and the Shape of Belief. Berkeley: University of California Press, 1964.
Todd, Janet. The Sign of Angellica: Women, Writing and Fiction 1660-1800. New York: Columbia University Press, 1989.
Watt, Ian. The Rise of the Novel: Studies in Defoe, Richardson and Fielding. Berkeley and Los Angeles: Univesity of Cali-fornia Press, 1957.
BEHN AND OROONOKO: SOME RECENT BIBLIOGRAPHICAL SUGGESTIONS
Spencer, Jane. "Aphra Behn's Oroonoko and Women's Literary Authority." Pp. 183-96 in Pacheco, ed., Early Women Writers: 1600-1720. London: Longman, 1998.
Pigg, Daniel. "Trying to Frame the Unframable: Oroonoko as Discourse in Aphra Behn's Oroonoko." Studies in Short Fiction, 34:1 (Winter 1997): 105-11.
Corman, Brian. "Restoration Studies and the New Historicism: The Case of Aphra Behn." Pp. 252-71 in W. Gerald Marshall (ed), The Restoration Mind. Newark, DE: U of Delaware P, 1997.
Frohock, Richard, "Violence and Awe: The Foundations of Government in Aphra Behn's New World Settings." Eighteenth-Century-Fiction, 8.4 (1996): 437-52.
Hall, Kim F. "Beauty and the Beast of Whiteness: Teaching Race and Gender."
Shakespeare Quarterly 47.4 (Winter 1996): 461-75.
Lipking, Joanna. "Confusing Matters: Searching the Backgrounds of Oroonoko." Pp. 259-81 in Janet Todd (ed.). Aphra Behn Studies. Cambridge : Cambridge UP, 1996.
Gallagher, Catherine. "Oroonoko's Blackness." Pp. 235-58 in Janet Todd (ed). Aphra Behn Studies. Cambridge : Cambridge UP, 1996.
Doyle, Laura. "The Folk, the Nobles, and the Novel: The Racial Subtext of Sentimentality." Narrative 3:2 (May 1995): 161-87.
Hoegberg, David E. "Caesar's Toils: Allusion and Rebellion in Oroonoko." Eighteenth-Century Fiction 7:3 (April 1995): 239-58.
Andrade, Susan Z. "White Skin, Black Masks: Colonialism and the Sexual Politics of Oroonoko." Cultural Critique 27 (Spring 1994): 189-214.
Pacheco, Anita. "Royalism and Honor in Aphra Behn's Oroonoko." Studies in English Literature 34:3 (Summer 1994): 491-506.
Paxman, David. "Oral and Literate Discourse in Aphra Behn's Oroonoko." Restoration 18:2 (Fall 1994): 88-103.
Erickson, Robert. "Mrs. A. Behn and the Myth of Oroonoko-Imoinda." Eighteenth-Century Fiction 5:3 (April 1993): 201-16.
Athey, Stephanie, and Daniel Cooper Alarcon. "Oroonoko's Gendered Economies of Honor/Horror: Reframing Colonial Discourse Studies in the Americas." American Literature 65:3 (Sept 1993): 415-43.
Ferguson, Margaret. "Transmuting Othello: Aphra Behn's Oroonoko." Pp. 15-49 in Marianne Novy (ed.) Cross-Cultural Performances: Differences in Women's Re-Visions of Shakespeare. Urbana : U of Illinois P, 1993. 274 pp.
Ferguson, Moira. "Oroonoko: Birth of a Paradigm." New Literary History 23:2 (Spring 1992): 339-59.
Ballaster, Ros. "New Hystericism: Aphra Behn's Oroonoko: The Body, the Text and the Feminist Critic." Pp. 283-95 Isobel Armstrong (ed.), New Feminist Discourses: Critical Essays on Theories and Texts. London : Routledge, 1992.
Ferguson, Margaret W. "Juggling the Categories of Race, Class and Gender: Aphra Behn's Oroonoko." Women's Studies 19:2 (1991): 159-81.
Starr, G. A. "Aphra Behn and the Genealogy of the Man of Feeling." Modern Philology 87:4 (May 1990): 362-372.
Chibka, Robert L. 'Oh! Do not fear a woman's invention': Truth, Falsehood, and Fiction in Aphra Behn's Oroonoko." Texas Studies in Literature and Language 30:4 (Winter 1988): 510-537.
Rogers, Katharine M. "Fact and Fiction in Aphra Behn's Oroonoko." Studies in the Novel 20:1 (Spring 1988): 1-15.
Brown, Laura. "The Romance of Empire: Oroonoko and the Trade in Slaves." Pp.41-61 in Felicity Nussbaum and Laura Brown, eds. The New Eighteenth Century: Theory, Politics, English Literature. New York : Methuen, 1987.
Houston, Beverle, "Usurpation and Dismemberment: Oedipal Tyranny in Oroonoko." Literature and Psychology 32:1 (1986): 30-36.
Spengemann, William C. "The Earliest American Novel: Aphra Behn's Oroonoko." Nineteenth-Century Literature 38:4 (March 1984): 384-414.
DEFOE AND MOLL FLANDERSSOME RECENT BIBLIOGRAPHICAL SUGGESTIONS
Bell, Ian A. "Narrators and Narrative in Defoe." Novel: A Forum on Fiction 18:2 (Winter, 1985), 154-172.
Chaber, Lois A. "Matriarchal Mirror: Women and Capital in Moll Flanders." PMLA 97:2 (Maarch, 1982), 212-226.
Flynn, Carol Houlihan. "Defoe's Idea of Conduct: Ideological Fictions and Fictional Reality." Pp. 73-95 in Armstrong, Nancy and Leonard Tennenhouse, eds., The Ideology of Con-duct: Essays on Literature and the History of Sexuality. New York : Methuen, 1987.
Hentzi, Gary. "Holes in the Heart: Moll Flanders, Roxana, and 'Agreeable Crime.'" Boundary2 18:1 (Spring 1991): 174-200.
Hunter, J. Paul. "Novels and 'the Novel': The Poetics of Embarrassment." Modern Philology 85:4 (May 1988) 480-498.
Kahn, Madeleine. Narrative Transvestism: Rhetoric and Gender in the Eighteenth-Century English Novel. Ithaca: Cornell University Press, 1991.
Langford, Larry L. "Retelling Moll's Story: The Editor's Preface to Moll Flanders." Journal of Narrative Technique 22:3 (Fall 1992): 164-79.
Novak, Maximillian E. Economics and the Fiction of Defoe. Berkeley: University of California Press, 1962.
-----. "Sincerity, Delusion, and Character in the Fiction of Defoe and the 'Sincerity Crisis' of His Time; Essays in Honor of Irvin Ehrenpreis. Pp. 109-126 in Douglas Patey and Timothy Keegan, eds., Augustan Studies. Newark: U of Delaware P, 1985.
O'Neill, John H. "The Experience of Error: Ironic Entrapment in Augustan Narrative Satire." Papers on Language and Literature, 18:3 (Summer, 1982), 278-290.
Pollak, Ellen. "Moll Flanders, Incest, and the Structure of Exchange." The Eighteenth-Century: Theory and Interpretation 30:1 (Spring 1989): 3-21.
Richetti, John. "The Family, Sex, and Marriage in Defoe's Moll Flanders and Roxana." Studies in the Literary Imagination 15:2 (Fall, 1982), 19-35.
-----. "The Novel and Society: The Case of Daniel Defoe." in Uphaus, Robert W. (ed.). The Idea of the Novel in the Eighteenth Century. East Lansing, MI : Colleagues, 1988. Pp. 47-66.
Rietz, John. "Criminal Ms-Representation: Moll Flanders and Female Criminal Biography." Studies in the Novel 23:2 (Summer 1991): 183-95.
Scheuermann, Mona. "Women and Money in Eighteenth-Century Fiction." Studies in the Novel 19:3 (Fall 1987), 311-322.
Starr, G.A. Defoe and Spiritual Autobiography. Princeton: Princeton University Press, 1971.
RICHARDSON AND PAMELA: SOME RECENT BIBLIOGRAPHICAL SUGGESTIONS
Brophy, Elizabeth Bergen. Samuel Richardson: the Triumph of Craft. Knoxville: University of Tennessee Press, 1974. PR3667.B7
Carroll, John J. Samuel Richardson: A Collection of Critical Essays. Englewood Cliffs: Prentice Hall, 1969. PR3667.lC3
Cummings, Katherine. Telling Tales: The Hysteric's Seduction in Fiction and Theory. Stanford: Stanford Univeristy Press, 1991. PR830.P74.C86.1991
Doody, Margaret, and Peter Sabor, eds. Samuel Richardson: Tercentenary Essays. Cambridge: Cambridge University Press, 1989.
Doody, Margaret Anne. A Natural Passion: A Study of the Novels of Samuel Richardson. Oxford: Clarendon Press, 1974. PR3667.D57
Flynn, Carol Houlihan. Samuel Richardson: A Man of Letters. Princeton: Princeton University Press, 1982. PR3667.F5.1982
Goldberg, Rita. Sex and Enlightenment: Women in Richardson and Diderot. Cambridge: Cambridge University Press, 1984. PR3664.C43.G58.1984
Golden, Morris. Richardson's Characters. Ann Arbor: University of Michigan Press, 1963. PR3667.G6
Hannaford, Richard Gordon. Samuel Richardson: An Annotated Bibliography of Critical Studies. New York: Garland, 1980. Z8744.19.H36
Harris, Jocelyn. Samuel Richardson. New York: Cambridge Univer-sity Press, 1987. PR3667.H37.1987
Kinkead-Weekes, Mark. Samuel Richardson: Dramatic NOvelist. Ithaca: Cornell University Press, 1973. PR3667.K5
Konigsberg, Ira. Samuel Richardson and the Dramatic Novel. Lexington, University of Kentucky Press, 1968. PR3667.K6
Macey, Samuel L. Money and the Novel: Mercenary Motivation in Defoe and his Immediate Successors. Victoria, BC: Sono Nis Press, 1983. Not in Rosenthal, Try Brooklyn College and elsewhere.
Woolf, Cynthia Griffin. Samuel Richardson and the Eighteenth-Century Puritan Character. Hemden, Conn: Archon Books, 1972. PR3667.W6
FIELDING AND JOSEPH ANDREWS: SOME RECENT BIBLIOGRAPHICAL SUGGESTIONS
BIBLIOGRAPHIES:
Hahn, H.G. Henry Fielding: an annotated bibliography. Metuchen: Scarecrow Press, 1979. Ref. Z. 8293.72 H33.
Morrissey, L.J. Henry Fielding: A Reference Guide. Boston: G.K. Hall, 1980. Z8293.72.M67
Stoler, John. Fielding Criticism: An Annotated Bibliography of 20th Century Criticism 1900-1977 (New York: Garland, 1980).
The three of them should make it easy to find readings that will prove useful and (even more important, perhaps) eliminate what will not. Also consult the bibliography provided in your textbook, which is not only better than nothing but probably better than this handout.
BOOKS:
Alter, Robert. Fielding and the Nature of the Novel. Cambridge: Harvard University Press, 1968. PR 3457 A4.
Battestin, Martin C. Twentieth Century Interpretations of Tom Jones. Englewood Cliffs, N.J.: Prentice-Hall, 1968. PR3454.H7 B3
-----, with Ruthe R. Battestin. Henry Fielding: A Life. New York: Routledge, 1990. Not available at Rosenthal: Try Baruch and City or the NYPL (or elsewhere).
Braudy, Leo. Narrative Form in History and Fiction: Hume, Fielding and Gibbon. Princeton: Princeton University Press, 1970. D13.B684.
Cleary, Thomas. Henry Fielding: Political Writer. Waterloo, Ontario: Wilfrid Laurier University Press, 1984. PR3458.P6.C63.1984
Dudden, Frederick Homes. Henry Fielding: His Life, Works, and Times. London: Clarendon Press, 1952. PR 3456 D8 1952.
Harrison, Bernard. Henry Fielding's Tom Jones: The Novelist as Moral Philosopher. London: Chatto and Windus, 1975. PR 3454 H7 H28.
Hassall, Anthony J. Henry Fielding's Tom Jones. Sydney: Sydney University Press, 1979. PR3454.H5 1979
Hatfield, Glenn W. Henry Fielding and the Language of Irony. Chicago: University of Chicago Press, 1968. PR3458.L3.H3
Hunter, J. Paul. Occasional Form: henry Fielding and the Chains of Circumstance. Baltimore: Johns Hopkins University Press, 1975. PR3457.H8
-----. Henry Fielding in His Time and Ours. Los Angeles: William Andrews Clark Memorial Library, 1987. PR3457.H79 1987
Hutchens, Eleanor Newman. Irony in Tom Jones. University: University of Alabama Press, 1965. PR3454.H7.H8
Irwin, Michael. Henry Fielding: The Tentative Realist. Oxford: Clarendon Press, 1967. PR 3457 I7.
Macrea, Bryan. Henry Fielding and the Politics of Mid-Eighteenth Century England. Athens: University of Georgia Press, 1981.
Miller, Henry Knight. Henry Fielding's Tom Jones and the Romance Tradition. Victoria, B.C.: University of Victoria Press, 1976. PR 3454 H7 M5.
Paulson, Ronald, comp. Henry Fielding: The Critical Heritage. London: Routledge and Kegan Paul, 1969. PR 3457 P32 1969.
-----. Popular and Polite Art in the Age of Hogarth and Field-ing. Notre Dame: University of ND Press, 1979.
Rawson, Claude Julien. Henry Fielding and the Augustan Ideal under Stress. London: Routledge and Kegan Paul, 1972. PR 3457 R3.
-----. Order from Confusion Sprung. London: Allen and Unwin, 1985. PR442.R36.1985
Reilly, Patrick. Tom Jones: Adventure and Providence. Boston, Twayne, 1991. PR3454.H7 R4 1991
Rogers, Pat. Henry Fielding: A Biography. New York: Scribner, 1979. PR3456.R6.
Sacks, Sheldon. Fiction and the Shape of Belief. Berkeley: University of California Press, 1964. PR 3457 S3.
Simon, Richard Keller. The Labyrinth of the Comic: Theory and Practice from Fielding to Freud. Tallahassee: University Presses of Florida, 1985. PR858.C63.S56 1985
Simpson, K.G. Henry Fielding; Justice Observed. London: Vision, 1985. PR3457.H46.1985.
Smallwood, Angela J. Fielding and the Woman Question. New York: St. Martin's Press, 1989. PR3458.F44.S44.1989
Varey, Simon. Henry Fielding. Cambridge: Cambridge University Press, 1986. PR3457.V37.1986
Williams, Murial Brittain. Marriage: Fielding's Mirror of Moral-ity. University: University of Alabama Press, 1973. PR3458.M3.W5
Wright, Andrew. Henry Fielding: Mask and Feast. Berkeley: University of California Press, 1965. 823.52 Z7W.
ARTICLES AND BOOK CHAPTERS:
Alter, Robert. "The Picaroon Domesticated" in Rogue's Progress (Cambridge: Harvard University Press, 1965), pp. 80-105.
Benstock, Shari. "At the Margin of Discourse: Footnotes in the Fictional Text." PMLA 98:2 (March 1983), 204-225.
Boheemen, Christine van. "The Semiotics of Plot: Toward a Typology of Fictions." Poetics Today, 3:4 (Autumn 1982): 89-96.
Braudy, Leo. "Tom Jones: The Narrative Stance" in Narrative Form in History and Fiction (Princeton: Princeton University Press, 1970), pp. 144-180.
Chibka, Robert L. "Taking 'The Serious' Seriously: The Introduc-tory Chapters of Tom Jones." The Eighteenth Century: Theory and Interpretation 31:1 (Spring 1990): 23-45.
Donaldson, Ian. "Fielding, Richardson, and the Ends of the Novel," Essays in Criticism 32 (1) (January 1982): 26-47.
Dyson, A.E. "Fielding: Satire and Comic Irony" in Crazy Fabric: Essays in Irony (London: Macmillan, 1965), pp. 14-32.
Evans, James E. "Blifil as Tartuffe: The Dialogic Comedy of Tom Jones." Comparative Literature Studies, 27:2 (1990), 101-12.
Goldknopf, David. "The Failure of Plot in Tom Jones" in The Life of the Novel (Chicago: University of Chicago Press, 1972), pp. 125-42.
Hudson, Nicholas. "Fielding's Hierarchy of Dialogue: 'Meta Response' and the Reader of Tom Jones." Philological Quar-terly 68:2 (Spring 1989): 177-194.
-----. "Signs, Interpretation, and the Collapse of Meaning in Tom Jones and Amelia." English Studies in Canada 16:1 (March 1990): 17-34.
Hunter, J. Paul. "Novels and 'the Novel': The Poetics of Embar-rassment." Modern Philology 85:4 (May 1988): 480-498.
Iser, Wolfgang. "The Role of the Reader in Fielding's Tom Jones" in The Implied Reader (Baltimore: Johns Hopkins University Press, 1974), 29-56.
Kettle, Arnold. "Tom Jones" in Introduction to the English Novel (London: Hutchinson, 1951), pp. 76-81.
London, April. "Controlling the Text: Women in Tom Jones." Studies in the Novel 19:3 (Fall 1987): 323-333.
Lenta, Margaret. "Comedy, Tragedy and Feminism: The Novels of Richardson and Fielding." English Studies in Africa 26:1 (1983): 13-25.
McCrea, Brian. "Romances, Newspapers, and the Style of Field-ing's True History." SEL: Studies in English Literature, 1500-1900 21:3 (Summer 1981): 471-480.
Miller, Susan. "Eighteenth-Century Play and the Game of Tom Jones" in A Provision of Human Nature (University: University of Alabama Press, 1977), pp. 83-93.
Nassar, Eugene Paul. "Complex Irony in Tom Jones" in The Rape of Cinderella (Bloomington: Indiana University Press, 1977), pp. 71-84.
Preston, John. "Tom Jones" in The Created Self (London: Heinemann, 1970), pp. 94-132.
Richetti, John. "The Old Order and the New Novel of the Mid-Eighteenth Century: Narrative Authority in Fielding and Smollett." Eighteenth Century Fiction, 2:3 (Apr 1990): 183-196.
Rothstein, Eric. "Virtues of Authority in Tom Jones." The Eighteenth Century: Theory and Interpretation 28:2 (Spring 1987), 99-126.
Stanzel, Franz. "The Authorial Novel: Tom Jones" in Narrative Situations in the Novel (Bloomington: Indiana University Press, 1971), pp. 38-58.
Thompson, James. "Patterns of Property and Possession in Field-ing's Fiction." Eighteenth Century Fiction 3:1 (Oct 1990): 21-42.
Tobin, Mary Elisabeth Fowkes. "Bridging the Cultural Gap: Eight-eenth Century Narrative and Post Modernism." CLIO 17:3 (Spring 1988): 211-223.
Unsworth, John. "Tom Jones: The Comedy of Knowledge." Modern Language Quarterly 48:3 (Sept 1987): 242-253.
LAURENCE STERNE AND TRISTRAM SHANDY
Auty, Susan G. The Comic Spirit of Eighteenth Century Novels. Port Washington: Kennikat Press, 1975.
Brady, Frank. "Tristram Shandy: Sexuality, Morality and Sensibil-ity," ECS, 4 (1970), 41-56.
Braudy, Leo. "The Form of the Sentimental Novel." Novel, 7 (1973), 6-13.
Brissenden, R.F. "The Sentimental Comedy: Tristram Shandy" in Virtue in Distress: Studies in the Novwel of Sentiment from Richardson to Sade. London: Macmillan, 1974. Pp. 187-217.
Brooks, Douglas. Number and Pattern in the Eighteenth-Century Novel. London: Routledge and Kegan Paul, 1973. Pp. 160-82.
Byrd, Max. Tristram Shandy. London: Allen and Unwin, 1985. PR3714.L53.B97.1985
Cash, Arthur Hill and John Stedmond, eds. The Winged Skull: Bicentenary Conference Papers on Laurence Sterne. London: Methuen, 1971.
Cash, Arthur H. Laurence Sterne The Early and Middle Years. New York: Methuen, 1975. PR3716.C29.1975
-----. Laurence Sterne The Later Years. New York: Methuen, 1986. PR3716.C295.1986
Christiansen, Inger. The Meaning of Metafiction: A Critical Study of Selected Novels by Sterne, Nabokov, Barth and Beckett. Bergen: Universitetforlaget, 1981.
Conrad, Peter. Shandyism: the Character of Romantic Irony. New York: Barnes and NOble, 1978. PR3714T73.C6.1978
Davis, Robert Gorham. "Sterne and the Delineation of the Modern Novel" in Cash, supra, 21-41.
DePorte, Michael. Nightmares and Hobbyhorses: Swift, Sterne and Augustan Ideas of Madness. San Marino: Huntington Library, 1974. RC455.2.P85.D46
Donovan, Robert Alan. "Sterne and the Logos," in The Shaping Vision. Ithaca: Cornell University Press, 1966. Pp. 89- 117.
Ehlers, Leigh A. "Mr. Shandy's 'Lint and Basilicon': The Impor-tance of Women in Tristram Shandy" in South Atlantic Review, 46 (January 1981), 61-75.
Erickson, Robert A. Mother Midnight: Birth, Sex and Fate in Eighteenth Century Fiction. New York: AMS Press, 1986. PR858.F35.E75.1986
Fluchère, Henri. Laurence Sterne: From Tristram Shandy to Yo-rick. New York: Oxford University Press, 1965.
Freedman, William. Laurence Sterne and the Origins of the Musi-cal NOvel. Athens: University of Georgia Press, 1978. PR3714.lT73.F7
Gottlieb, Sidney. "Tristram Shandy and the Compulsion to Repeat." Midhudson Language Studies, 4 (1981), 69-81.
Grossvogel, David. "Sterne: Tristram Shandy" in The Limits of the Novel. I;thaca: oCornell University Press, 1968. Pp. 136-57.
Gysin, Fritz. Model as Motif in Tristram Shandy. Bern: Franke: 1983.
Hay, John A. "Rhetoric and Historiography: Tristram Shandy's First Nine Kalendar Months" in Studies in the Eighteenth Century, 2 (1973), 73-91.
Harries, Elizabeth W. "Sterne's Novels: Gathering Up the Frag-ments" in ELH, 49 (Spring 1982), 35-49.
Holtz, William V. Image and Immorality: A Study of Tristram Shandy. Providence: Brown University Press, 1970. PR3714.T73.H6
Iser, Wolfgang. Laurence Sterne: Tristram Shandy. Cambridge: Cambrdige University Press, 1988. PR3714.T73.I84.1988
James, Overton Philip. The Relation of Tristram Shandy to the Life of STerne. The Hague: Mouton, 1966. PR3716.J3
Karl, Frederick R. "Tristram Shandy, the Sentimental Novel, and the Sentimentalists" in The Adversary Fiction. New York: Farrar, Straus and Giroux, 1975.
Kay, Carol. Political Constructions: Defoe, Richardson and Sterne in relation to Hobbes, Hume and Burke. Ithaca: Cornell University Press, 1988. PR858.P65.K39.1988
Lamb, Jonathan. "The Comic Sublime and Sterne's Fiction." ELH 48 (Spring 1981), 110-43.
Lanham, Richard A. Tristram Shandy: The Games of Pleasure. Berkeley: University of California Press, 1973.
Loveridge, Mark. Laurence Sterne and the Argument about Design. Totowa, NJ. Barnes and Noble, 1982. PR3716.L6.1982b
Mayoux, Jean-Jacques. "Temps ve'cu et temps cre'e' dans Tristram Shandy." Poetique, 2 (1970), 174-86, also translated in Cash, supra, 3-18.
Moglen, Helene. The Philosophical Irony of Laurence Sterne. Gainesville, University Presses of Florida, 1975. PR3714.T73.M6
Moran, Charles, III. Laurence Sterne as a Satirist: A Reading of Tristram Shandy. Gainesville: University of Florida Press, 1970.
Myer, Valerie Grosvenor. Laurence Sterne: Riddles and Mysteries. Totowa NJ: Barnes and Noble: 1984. PR3714.T73.L38.1984
New, Melvyn. Laurence Sterne as Satirist: A Reading of Tristram Shandy. Gainesville, University of Florida Press, 1969. PR3714.T73.N4
----. Approaches to Teaching Sterne's Tristram Shandy. New York, MLA, 1989. PR3714.T73.A67.1989
Nuttall, A.D. "Tristram Shandy" in A Common Sky: Philosophy and the Literary Imagination. Berkeley: University of- California Press, 1974. Pp. 44-91.
Park, William. "Tristram Shandy and the Novel of Sensibility" in Studies in the Novel, 6 (1974), 268-79.
Peterfreund, Stuart. "Sterne and Late Eighteenth-Century Ideas of History," in Eighteenth Century Life, 7 (October 1981), 25-53.
Preston, John. The Created Self: The Reader's Role in Eighteenth Century Fiction. New York: Barnes and Noble, 1970. Pp. 133-211.
Richter, David H. "The Reader as Ironic Victim" in Novel, 14 (Winter 1981), 135-51.
Rogers, Pat. The Augustan Vision. New York: Barnes and Noble, 1974. Pp. 86-92.
Rothstein, Eric. Systems and Order and Inquiry in Later Eight-eenth-Century Fiction. Berkeley: University of California Press, 1975.
Rousseau, G.S. "Threshold and Explanation: the Social Anthropol-ogist and the Critic of Eighteenth-Century Literature." Eighteenth Century, 22 (Spring 1981), 127-52.
Shklovskii, Viktor. "The Parody Novel: Sterne's Tristram Shandy." Translated by Richard Sheldon. Russian Contemporary Fiction, 1 (Spring 1981), 190-211.
Spacks, Patricia Meyer. "The Beautiful Oblique: Tristram Shandy" in Imagining a Self. Cambridge: Harvard University Press, 1976. Pp. 127-49.
Swearingen, James E. Reflexivity in Tristram Shandy. New Haven: Yale University Press, 1977.
Thomson, David. Wild Excursions: The Life and Fiction of Lau-rence Sterne. New York: McGraw-Hill, 1972. PR3716.T5.1972b
Traugott, John. Tristram Shandy's world: Sterne's Philosohical Rhetoric. Berkeley: University of California Press, 1954. PR3714.T73.T7
WALPOLE AND THE CASTLE OF OTRANTO
Anderson, Howard. "Gothic Heroes."
205-221. Folkenflik, Robert (ed. & introd.). The English Hero,
1660-1800. Newark; London: U of Delaware P; Associated U P, 1982.
Bedford, Kristina. "'This castle hath a
pleasant seat': Shakespearean Allusion in The Castle of Otranto." English
Studies in Canada, 14:4 (1988 Dec.), 415-435.
Dole, Carol M. "Three Tyrants in The
Castle of Otranto." English Language Notes, 26:1
(1988 Sept.), 26-35.
Ellis, Kate Ferguson. "The Contested Castle:
Gothic Novels and the Subversion of Domestic Ideology." Urbana:
U of Illinois P, 1989.
Gamer, Michael. "Romanticism and the
Gothic: Genre, Reception, and Canon Formation." Cambridge,
England: Cambridge UP, 2000.
Haggerty, George E. "Literature and
Homosexuality in the Late Eighteenth Century: Walpole, Beckford, and
Lewis." Studies in the Novel, 18:4 (1986 Winter),
341-352.
Howells, Coral Ann. "Love, Mystery, and
Misery: Feeling in Gothic Fiction." London: Athlone, 1978.
Lewis, W. S. "The Castle of Otranto: A
Gothic Story." London: Oxford UP, 1964.
MacAndrew, Elizabeth. "The Gothic Tradition in
Fiction." New York: Columbia UP, 1979.
Miles, Robert. "Gothic Writing
1750-1820: A Genealogy." London: Routledge, 1993.
Richter, David H. "The Progress of Romance:
Literary Historiography and the Gothic Novel." Columbus:
Ohio State UP, 1996.
Samson, John. "Politics Gothicized: The
Conway Incident and The Castle of Otranto." Eighteenth-Century
Life, 10 (3) (1986 Oct.), 145-158.
Watt, Ian P. "Time and the Family in
the Gothic Novel: The Castle of Otranto." Eighteenth-Century
Life, 10 (3) (1986 Oct.), 159-171.
Watt, James. "Contesting the Gothic:
Fiction, Genre and Cultural Conflict, 1764-1832." Cambridge,
England: Cambridge UP, 1999.
FRANCES BURNEY AND EVELINA
Choi, Samuel. "Signing Evelina: Female
Self-Inscription in the Discourse of Letters." Studies
in the Novel, Also available at http://ww.engl.unt.edu/sitn/. , 31:3
(1999 Fall), 259-78.
Cutting-Gray, Joanne. "Writing Innocence: Fanny
Burney's Evelina." Tulsa Studies in Women's Literature,
9:1 (1990 Spring), 43-57.
Dobbin, Marjorie W. "The Novel, Women's
Awareness, and Fanny Burney." English Language Notes,
22:3 (1985 Mar.), 42-52.
Dowling, William C. "Evelina and the
Genealogy of Literary Shame." Eighteenth-Century Life,
16:3 (1992 Nov), 208-20.
Dykstal, Timothy. "Evelina and the Culture
Industry." Criticism: A Quarterly for Literature and
the Arts, 37:4 (1995 Fall). 559-81.
Epstein, Julia L. "Evelina's Deceptions:
The Letter and the Spirit." 111-129. Bloom, Harold (ed.).
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