Cinema On
Sundays
Film/Dialogue Series, October 2009-March 2010,
LeFrak Concert Hall
Ticket Information:
All film screenings take place in the LeFrak Concert Hall and begin at 2pm. The screenings are open seating; there will be no reserved seats.Doors open at 1:15pm.
Admission: $5 per screening; $10 subscription discount for series of three films.
Please visit or call the Kupferberg Box Office for tickets, 718-793-8080, during its regular hours. Tickets are on sale in the LeFrak foyer prior to each screening, if available. Free parking in Lot 15 on Reeves Avenue (behind the LeFrak building) and easy elevator access to the Concert Hall
For more information on this series, please call:
Center for Jewish Studies (718) 997-5730
The Year My Parents
Went on Vacation (2006)
October 25
Sunday, 2 pm
leFrak Concert Hall
Set in Brazil in the turbulent year of
1970, this poignant and humorous
coming-of-age story thrusts twelveyear-
old Mauro (Michel Joelsas) into
a maelstrom of political and personal
upheaval. When his left-wing militant
parents are forced to go underground,
Mauro is left in the care of his Jewish
grandfather’s neighbor in Sao Paulo.
The result is an intimate portrait of
Brazilian Jewish life and one youngster’s
struggle with his identity.
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Discussant -Dr. Eric a
Goldman
Dr. Eric a
Goldman is adjunct
associate professor
of Cinema at Yeshiva
University, president
of Ergo Media,
and
film reviewer for New
Jersey’s The Jewish
Standard. |
Waltz with Bashir
November 22
Sunday, 2 pm
leFrak Concert Hall
This Israeli film by Ari Folman was
a 2009 Academy Award nominee
for the Best Foreign Language Film.
It was the Golden Globe Winner as
the Best Foreign Language Film and
the National Society of Film Critics
Best Picture of the Year. Waltz with
Bashir was inspired by the 1982 war
in Lebanon and Israel’s “Operation
Peace for Galilee.” It chronicles one
man’s descent into his half-forgotten
past. The filmmaker Ari Folman, an
Israeli veteran of the First Lebanon
War, encounters an old friend suffering
from nightmares of the conflict.
Ari starts to ponder why his own
memories of the conflict are so disjointed.
In an effort to penetrate his
“fog of war” and uncover “the truth,”
he reconnects with old friends to
confront the horrors of war. While
the movie has been hailed as innovative
in the way it fuses animation and
documentary, it has critics who argue
that Folman has conflated and confused
the real and the surreal, with
Israel cast as more a perpetrator than
a victim.
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Discussant: Professor Mark Rosenblum
professor Mark
Rosenblum is
director of the Center
for Jewish Studies
at Queens College
as well as its newly
funded initiative for
“Ethnic and racial
understanding.” His latest academic publications
relevant to the Middle East and
the film include The Jewish Condition,
Challenges and Response—1938–2008
(co-editor, Transaction publishers, 2008)
and “after rabin: The Malaise of the
israeli Zionist left” in Contemporary
Israel: Domestic Politics, Foreign Policy
and Security Challenges (Westview press,
2008). His project “america and the Middle
East: a Clash of Civilizations or Meeting of
Minds?” has been awarded a number of
grants and featured in the New York Times
and The Chronicle of Higher Education as
well as on CBS-TV national news, national
public radio, and a host of electronic and |
Samson (Poland, 1961)
March 7, 2010
Sunday, 2 pm
leFrak Concert Hall
Based on a novel by Jewish writer
Kazimierz Brandys, it is yet another
instance of Andrzej Wajda’s collaboration
with Jewish intellectuals
and artists. It tells the story of a Jew
subjected to anti-Semitism at the
university who accidentally kills
a non-Jewish Polish citizen and is
imprisoned, then put into the ghetto
after the Nazis invade. From there he
is abandoned by his Polish friends,
finds a Jewess in hiding, but gradually
is convinced of the need to resist by his inspiring contact with the
communists
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Discussant:
Dr. Stuart
liebman
Dr. Stuart
liebman is professor
of Media Studies at
Queens College.
He
was the Founding
Coordinator of the Film
Studies program at the
CUNY graduate Center
and served there from 1993 to 2000. a
specialist in early European and post-war
german cinema, he has written extensively
on early French filmmakers such as renoir,
Dulac, and Epstein. |
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