Joseph Sciorra, Ph.D.

Joseph Sciorra, Ph.D.

Joseph Sciorra is the Associate Director for Academic and Cultural Programs at the John D. Calandra Italian American Institute, Queens College (City University of New York), He conceptualizes and implements scholarly research and public programs including symposiums, the Institute’s annual conference, the monthly “Writers Read” author series, the “Documented Italians” film and video series, and the “Philip V. Cannistraro Seminar Series in Italian American Studies,” as well as curates exhibitions.

Sciorra received his Ph.D. from the Department of Folklore and Folklife at the University of Pennsylvania. As a folklorist, he researches and publishes on everyday, vernacular culture, including religious practices, cultural landscapes, and popular music, among other topics. 

He is editor of the peer-reviewed, social science journal, Italian American Review and Italian Folk: Vernacular Culture in Italian-American Lives (Fordham University Press, 2011), the co-editor of poet Vincenzo Ancona’s Malidittu la lingua/Damned Language (Legas, 1990; 2010) and Mediated Ethnicity: New Italian-American Cinema (John D. Calandra Italian American Institute, 2010), and author of R.I.P.: Memorial Wall Art (Henry Holt & Co., 1994; Thames and Hudson, 2002).

Sciorra has conceptualized and curated several exhibitions, including “Evviva La Madonna Nera!: Italian-American Devotion to the Black Madonna” and “Sacred Emblems, Community Signs: Historic Flags and Religious Banners from Italian Williamsburg, Brooklyn.”

He has successfully nominated two examples of vernacular architecture—the Our Lady of Mt. Carmel Grotto on Staten Island and the Lisanti Family Chapel in the Bronx—to the New York State and National Registers of Historic Places.

In 1998, Sciorra launched the Website, an English language site dedicated to Italian hip hop. As the avatar “Joey Skee,” Sciorra is an invited blogger of “Occhio contro occhio,” at

In the tradition of the Sicilian trickster figure, Giufà, Sciorra is active as a cultural worker for what he calls an “italianità alternativa.”  Towards that end, he helped re-activate the annual September 8th celebration to the Black Madonna di Tindari in a gay bar in Manhattan’s Lower East Side and co-founded the fictitious organization, The Italian-American Political & Moral Bocce Club of Paradise, sites for historical reclamation and contemporary cultural expressions of a re-invented community.

Click here for CV.