Music 347: Music History 4
Bibliography
All of these books are available in the Queens College Music Library.
- Robert P. Morgan, Twentieth-Century Music. New York, W. W. Norton & Co., 1991.
- Elliott Schwartz and Daniel Godfrey, Music Since 1945. New York, Schirmer Books, 1993.
- Roger Nichols, “Claude Debussy.” In The New Grove: Twentieth-Century French Masters. New York and London, W.W. Norton & Company, 1980, 1986. (ML390 N4972 1986)
- Roger Nichols, The life of Debussy. Cambridge, Cambridge University Press, 1998. (ML410.D28 N55 1998)
- Simon Trezise, Debussy: La Mer. Cambridge, New York and Melbourne, Cambridge University Press, 1994. (ML410.D28 T7 1994)
- E. Robert Schmitz, The Piano Works of Claude Debussy. New York, Da Capo Press, 1984. (MT145 D4S3 1984)
- G. W. Hopkins, “Maurice Ravel.” In The New Grove: Twentieth-Century French Masters. New York and London, W.W. Norton & Company, 1980, 1986. (ML390 N4972 1986)
- Arbie Orenstein, Ravel: Man and Musician. New York and London, Columbia University Press, 1975. (ML410 R25 O73 1991)
- Faubion Bowers, Scriabin: A Biography. New York, Dover Publications, 1996. (ML410 S43 B7 1996)
- Faubion Bowers, The New Scriabin: Enigma and Answers. New York, St. Martin’s Press, 1973. (ML410 S43 B68)
- Boris De Schloezer, Scriabin: Artist and Mystic (translated from the Russian by Nicholas Slonimsky). Berkeley, University of California Press, 1987. (ML410 S543 S341)
- Paul Griffiths, Stravinsky. New York and London, Schirmer, 1992. (ML410.S932 G76 1993)
- Michael Oliver, Igor Stravinsky. London, Phaidon, 1995. (ML410 S932 O45 1995)
- Francis Routh, Stravinsky. London, J. M. Dent & Sons Ltd., 1975. (ML410 S932 R6)
- Peter Hill, Stravinsky: The Rite of Spring. Cambridge, Cambridge University Press, 2000. (ML410 .S932 H55 2000)
- Malcolm MacDonald, Schoenberg. New York, Oxford University Press, 2008. (ML410 .S37 M15 2008)
- Oliver Neighbour, “Schoenberg.” In The New Grove: Second Viennese School. New York and London, W. W. Norton, 1983. (ML390 N45N4 1983)
- Charles Rosen, Arnold Schoenberg. New York, The Viking Press, 1981. (ML410 S283 R65)
- H. H. Stuckenschmidt, Arnold Schoenberg. Translated by Edith Temple Roberts and Humphrey Searle. New York, Grove Press, 1959. (ML410 S37 S97 1798)
- Paul Griffiths, Bartók. London & Melbourne, J. M. Dent & Sons Ltd., 1984. (ML410 B29 G7 1984)
- Everett Helm, Bartók. New York, Thomas Y. Crowell, 1972. (ML410 B26 H4 1972)
- Hamish Milne, Bartók: his life and times. New York, Hippocrene Books, 1982. (ML 410 B29 M6)
- Elliott Antokoletz, The Music of Béla Bartók: A Study of Tonality and Progression in Twentieth-Century Music. Berkeley, Los Angeles, London, University of California Press, 1984. (ML 410 B29 A8 1984)
- Joan Peyser, To Boulez and beyond: music in Europe since The Rite of Spring. New York, Billboard Books, 1999.
- Virgil Thomson, American Music Since 1900. New York, Holt, Rinehart and Winston, 1971.
- Henry Cowell, American Composers on American Music. Stanford, Stanford University Press, 1933.
- Elliott Schwartz and Barney Childs, eds., Contemporary Composers on Contemporary Music, Expanded Edition. New York, Da Capo Press, 1998.
- Claire Raphael Reis, Composers, Conductors and Critics. Detroit Reprints in Music, 1974.
- Howard Pollack, Aaron Copland: the Life and Work of an Uncommon Man. New York, Henry Holt, 1999.
- Articles on Sessions, Copland, Carter, Barber and Cage in The New Grove Twentieth Century American Masters. London, Macmillan, 1988.
- Articles on Messiaen and Boulez in The New Grove Twentieth Century French Masters. New York, W.W. Norton and Co., Inc., 1986.
- Article on Webern in The New Grove Second Viennese School. New York, W.W. Norton and Co., Inc., 1983.
- Neil Butterworth, The Music of Aaron Copland. New York, Universe Books, 1986.
- David Schiff, The Music of Elliott Carter, 2nd edition. Ithaca, Cornell Universitry Press, 1998.
- David S. Hawen, The Later Music of Elliott Carter. New York, Garland Publishers, 1989.
- Howard Pollack, Walter Piston. Ann Arbor, MI, UMI Research Press, 1981.
- Andrew Mead, An Introduction to the Music of Milton Babbitt. Princeton University Press, Princeton, New Jersey, 1994.
- James Prichett, The Music of John Cage. Cambridge & New York, Cambridge University Press, 1993.
- Richard Kostalanetz, Conversing with Cage. New York, Limelight Editions, 1988.
- Paul Griffiths, Olivier Messiaen and the Music of Time. Ithaca, Cornell University Press, 1985.
- Carla Huston Bell, Olivier Messiaen. Boston, Twayne Publishers, 1984.
- Jonathan Harvey, The Music of Stockhausen: an Introduction. University of California Press, Berkeley and Los Angeles, 1975.
- David Osmond-Smith, Berio. Oxford University Press, Oxford, 1991.
- Nouritza Matossian, Xenakis. Kent & Averill, London, 1986.
- Iannis Xenakis, Formalized Music: Thought and Mathematics in Composition. Indiana University Press, Bloomington and London, 1971.
- Iannis Xenakis, Musique formelles: Nouveau principes formels de composition musicale. Editions Richard-Masse, 1963.
- Friedemann Sallis, An Introduction to the early works of György Ligeti. Studio, Köln, 1996.
- Joseph Straus, Introduction to Post-Tonal Theory. Prentice-Hall, Englewood Cliffs, New Jersey, 1990.
- Howard Pollack, Harvard Composers: Walter Piston and his Students, from Elliott Carter to Frederic Rzewski. The Scarecrow Press, Metuchen, NJ, 1992.