P-10 --> 10 5 0 11 9 6 1 3 7 8 2 4 <-- R-4 I-3 --> 3 8 1 2 4 7 0 10 6 5 11 9 <-- RI-9
P-0 --> 0 7 2 1 11 3 5 8 9 10 4 6 (R not used) I-5 --> 5 10 3 4 6 9 2 0 8 7 1 11 (RI not used) P-5 --> 5 0 7 6 4 1 8 10 2 3 9 11 <-- R-11 I-10 --> 10 3 8 9 11 2 7 5 1 0 6 4 <-- RI-4
1. P-10 2. RI-9 3. RI-9 6. P-10 7. RI-9 R-4 8. P-10 10. P-10 11. RI-9 12. I-3 I-3 I-3 R-4 P-10 14. P-10 19. R-4 (missing last dyad) I-3 RI-9 21. P-10 (2nd hexachord only) 23. P-10 (1st hexachord I-3 (missing last note) I-3 only) 25. P-10 27. R-4 RI-9 (2nd hexachord only) I-3 I-3 R-4 27-28. P-2 I-0 (1st hexachords 28. P-2 29. I-0 I-7 only) I-7 P-7 30. I-0 31. R-7 32. P-10 33. RI-9 P-7 RI-0 I-3 R-4 35. R-4 37. P-10 RI-9 38. R-4 39. P-10 RI-9 I-3(See Arnold Schoenberg, "My Evolution," The Musical Quarterly, October 1952).
I. Exposition 1. First Group meas. description set segmentation 1-2 A. Subject 1 4/4/4 3-9 B. Episode 4/4/4 10-11 C. Modified return of subject 1 4/4/4 12-13 D. Transition 4/4/4 2. Second Group 14-18 A. Subject 2 6/6 19-20 B. Episode 6/4 21-23 C. Modified return of subject 2 (*)(**) /6 23-27 D. Codetta and transition (*) 3/3/3/3 II. Development 1. 27-29 Various segments 2. 29-32 (fermata) 4/4/4 III. Recapitulation 1. 32-34 Modified return of subject 1 4/4/4 2. 35-36 Modified return of subject 2 6/6 IV. Coda 1. 37-38 4/4/4 2. 39-40 4/4/4
(*) Incomplete statements of the set appear in these passages.
(**) Measure 22 contains a misprint: A-natural in the right hand should be A-flat.