Malick is the Master of The New World
By Harlan D. Whatley
Recently, film viewers have been exposed to some particularly awful historical, epic sagas. The New World, a two-and-a-half-hour dramatic film about Captain John Smith and the Jamestown settlement, is definitely the exception to the rule.
Filmed on location in Virginia and England, Terrence Malick brings you the standpoint of the English explorers viewing the native Americans on the river banks of 17th Century Virginia. When Captain Christopher Newport (Christopher Plummer) and his motley crew of sailors and soldiers make their landing, they decide to pitch camp, knowing that the natives are watching them closely.
When they first meet each other, the Native Americans actually sniff the English colonists, as if they are aliens from outer space (which, by 17th Century standards, they probably are), as well as touch and feel their clothing and armor.
Mexican cinematographer Emmanuel Lubezki exquisitely executes the cinematography of the film. Malick uses some wonderful underwater photography, just as he did in The Thin Red Line, coupled with some well-choreographed fight scenes on land and in the swamps.
Jacqueline West has done a phenomenal job with costume design in this picture, as the English look like tired and dirty explorers and the Native Americans really look like they would in the early 1600s, not like extras from a 1950s western.
Malick’s script, which was written nearly 25 years ago, carefully sets up an ill-fated romance between
warrior-poet John Smith (Colin Farrell) and teenage princess Pocahontas (Q’Orianka Kilcher).
Newcomer Kilcher definitely has a bright future in cinema as she magically twists and twirls in her native
way of communicating before she becomes Anglicized with dresses and shoes, eventually learning the
The third and final act of the film focuses on the relationship between Pocahontas and John Rolfe
(Christian Bale), who became wealthy with his Virginia tobacco trade. The “Princess of Virginia” and
Rolfe sail to London, causing quite a stir amongst the nobles and landed gentry. The couple rears their
son in comfort at their Gravesend estate, creating history as one of England’s first interracial couples.
The original music composed by James Horner significantly adds to the more dramatic sequences of
This is of the best-made historical works I have seen in quite some time, but is a little long at two and a half hours.