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CURRENT SEASON SCHEDULE
2 0 0 8 – 2 0 0 9
3 3 r d  A n n i v e r s a r y  S e a s o n

Founding Director: Joseph Cuomo

Tuesday, February 24, 2009, 7pm, Music Building, $20

A Roundtable on How Fiction Works
with
P e t e r   C a r e y   
E. L.   D o c t o r o w   &
J a m e s   W o o d   
moderated by Leonard Lopate

Peter Carey is one of only two writers to win the Booker Prize twice. He is the author of many novels, including Oscar & Lucinda, Illywhacker, Jack Maggs, True History of the Kelly Gang, My Life as a Fake, Theft: A Love Story, and His Illegal Self. The Boston Globe has said: “No other Australian writer in our time has succeeded as well as Peter Carey in writing novels that compel the attention of a worldwide audience. His work…occupies a high plane of literary brilliance.” The New Yorker has said of the work of Mr. Carey: “The ingenuity, empathy, and poetic ear that the novelist brings to his feat of imposture cannot be rated too highly.” The Los Angeles Times Book Review has said: “We have a great novelist living on the planet with us, and his name is Peter Carey.”


E. L. Doctorow is the National Book Award-winning author of many novels, including The Book of Daniel, Ragtime, Loon Lake, Billy Bathgate, World’s Fair, and The March. The New York Times Book Review has said: “E.L. Doctorow is an astonishing novelist—astonishing not only in the virtuosity with which he displays his mimetic and linguistic skills, but also in the fact that it is impossible to predict even roughly the shape, scope and tone of one his novels from its predecessors.” The New York Times has described Mr. Doctorow as being among “the first rank of contemporary novelists.”


James Wood is a book critic at The New Yorker, and the author of The Broken Estate, The Irresponsible Self, and, most recently, How Fiction Works. Cynthia Ozick has said of Mr. Wood: “He is our best critic; he thinks with a sublime ferocity. One can…be swept away by his exactitude, his penetration, the remarkable range of his reading, the unsurpassable (and sometimes unsettling) force of his autonomous prose; above all, by his stringent originality.” Janet Malcolm has described Mr. Wood as a critic “who reads more perspicaciously and writes more incisively than almost anyone producing criticism today.” The New York Review of Books has described Mr. Wood as “perhaps the strongest, and strangest, literary critic we have.”

The Roundtable with Peter Carey, E.L. Doctorow and James Wood will be moderated by Leonard Lopate.

photo of Peter Carey: Elena Siebert; photo of E.L. Doctorow: Nancy Crampton; photo of James Wood: Miriam Berkley




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