Publications
• Hamish MacCunn (1868-1916): A Musical Life. Aldershot, UK: Ashgate, expected 2010.
• Three Overtures of Hamish MacCunn (1868–1916): The Dowie Dens o’ Yarrow, Land of the Mountain and the Flood, and The Ship o’ the Fiend, full-score edition. Recent Researches in Music of the Late Nineteenth- and Early Twentieth-Centuries. Madison, WI: AR Editions, expected 2009.
• “Brigadoon: Lerner and Loewe’s Scotland,” Studies in Musical Theatre, forthcoming.
• “Hamish MacCunn (1868-1916): A Scottish National Composer?,” in Europe, Empire and Spectacle in 19th-Century British Music, edited by Rachel Cowgill and Julian Rushton. (Aldershot, UK: Ashgate), 2006.
• “Practical Ways to Bring Information Literacy into the Undergraduate Music Curriculum,” CMS Symposium 44 (2004), 74-82.
• “Music Librarianship Education: Problems and Solutions,” Music Reference Services Quarterly 8/3 (2003), 1-24.
• “The Making of Scottish National Opera: Hamish MacCunn’s Jeanie Deans,” The Opera Journal, 35/2-3 (June-September 2002), 3-28.
Manuscripts Under Development
• “Hamish MacCunn and Imperialism: A Scot Glorifies the Empire” an article under consideration for publication in twentieth-century music.
• Performances scores of Hamish MacCunn’s partsongs, in progress.
• “Scotland in Opera: Perspectives and Resources,” an article to be submitted to Notes.
Reviews
• Review of Gerald Finzi: His Life and Music, by Diana McVeagh. Journal of Musicological Research (forthcoming)
• Review of Monteverdi’s Unruly Women: The Power of Song in Early Modern Italy, by Bonnie Gordon. The Opera Journal (forthcoming).
• Review of Paul Hindemith: A Guide to Research, by Stephen Luttmann. Music Reference Services Quarterly 9/3 (2005), 94-95.
• Review of Britten on Music, edited by Paul Kildea. Notes 61/4 (June 2005), 1013-15.
• Review of Michael William Balfe, by William Tyldesley. Notes 61/2 (December 2004), 433-35.
• Review of Women Writing Opera: Creativity and Controversy in the Age of the French Revolution, by Jacqueline Letzter and Robert Adelson. The Opera Journal 37/3 (2004), 42-43.
• Review of The Harlequin Years: Music in Paris 1917-1929, by Roger Nichols. The Opera Journal 36/3-4 (2003), 84-86.
• Review of The Extraordinary Operatic Adventures of Blanche Arral, translated by Ira Glackens, edited by William R. Moran. The Opera Journal 36/1 (March 2003), 37-39.
• Review of Italian Opera in Late Eighteenth-Century London: Volume II, The Pantheon Opera and Its Aftermath, 1789-1795, by Judith Milhous, Gabriella Dideriksen, and Robert D. Hume. The Opera Journal 35/4 (2002), 42-44.
Jennifer Oates