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April 7th - in class topics:

Using Photoshop Information:

making selections: marquee tool, lasso, magic wand, etc:

http://livedocs.adobe.com/en_US/Photoshop/10.0/WSfd1234e1c4b69f30ea53e41001031ab64-7700.html

using quick mask

http://www.adobe.com/designcenter/video_workshop/?id=vid0006

photo merge:

http://www.doubleexposure.com/Sammon_Panorama.shtml

http://www.image-space.com/imaging_tips/Photomerge_tool/Photomerge_tool.html

blending modes:

http://www.adobe.com/designcenter/video_workshop/?id=vid0012

 

Scanning Film on a Flatbed scanner:

Artix 1800f scanner manual pdf - ftp://microtek:microtek@files165.cyberlynk.net/microtek/support_pdf/GNC_m_ATX1800f_0802.pdf

Using SIlverfast - link to handout

 

 

Assignments for April 14th-

PHOTO

SHOOT pictures that use the idea of "still life". This can be set up or captured as is form an envirnoment.

Bring in 5 images on your USB flash drive, and we will project and discuss them in class.

EXAMPLE IMAGES that we saw in class may be reviewed:

General

Irving Penn

Bernard Voita

Zeke Berman

Fischli+Weiss

 

READ

http://www.doubleexposure.com/StillLifePhotos.shtml

http://www.shutterbug.net/refreshercourse/lens_tips/1205back/

VIEW

 

Final paper assignment for May 19th:

FINAL PAPER OVERVIEW:

********** If you need help with any of these concepts, email or ask me!************

GO TO:

The Museum of Modern Art
11 West 53 Street
New York, NY 10019
(212) 708-9400
info@moma.org
FREE with your Queens College ID
http://www.moma.org/explore/exhibitions

Sunday 10:30 a.m.–5:30 p.m
Monday 10:30 a.m.–5:30 p.m
Tuesday Closed
Wednesday 10:30 a.m.–5:30 p.m
Thursday 10:30 a.m.–5:30 p.m
Thursday 10:30 a.m.–5:30 p.m
Friday 10:30 a.m.–8:00 p.m
Saturday 10:30 a.m.–5:30 p.m

WRITTEN PAPER: (this will be graded)

Write a 2-page paper (basic 5 paragraph essay if you need a format) about the show “Into the Sunset: Photography's Image of the American West”. You may compare different individual photographs or writie about the show as a whole. http://www.moma.org/visit/calendar/exhibitions/97

Into the Sunset: Photography's Image of the American West - March 29, 2009–June 8, 2009 Special Exhibitions Gallery, third floor

Into the Sunset: Photography's Image of the American West examines how photography has pictured the idea of the American West from 1850 to the present. Photography's development coincided with the exploration and the settlement of the West, and their simultaneous rise resulted in a complex association that has shaped the perception of the West's physical and social landscape to this day. For over 150 years, the image of the West has been formed and changed through a variety of photographic traditions and genres, and this exhibition considers the medium's role in shaping our collective imagination of the West.

Into the Sunset brings together over 120 photographs made by a variety of photographers. These works illustrate photography's role in popularizing ideas of the sublime landscape, Manifest Destiny, and the "land of opportunity," as well as describing a more complex vision of the West, one that addresses cultural dislocation, environmental devastation, and failed social aspirations. Organized thematically, Into the Sunset includes photographs dating from the nineteenth to the twenty-first centuries, incorporating a range of artistic strategies, motifs, and concerns, and featuring the work of approximately seventy photographers, including Robert Adams, John Baldessari, Dorothea Lange, Timothy O'Sullivan, Cindy Sherman, Joel Sternfeld, Edward Weston, and Carleton E. Watkins. The exhibition is accompanied by a fully illustrated catalog.

OR

Write a 2-page paper (basic 5 paragraph essay if you need a format) after viewing “the Printed Picture” - comparing one modern and one historic photographic printing process: http://www.moma.org/visit/calendar/exhibitions/309

The Printed Picture - October 17, 2008–July 13, 2009 The Edward Steichen Photography Galleries, third floor

This October, MoMA will publish The Printed Picture, a book by Richard Benson that traces the changing technology of picture making from the Renaissance to the present, focusing on the vital role of images in multiple copies. In conjunction with the publication of the book, an educational installation of the material will be presented in the The Edward Steichen Photography Galleries.  

 

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