Aaron Copland
School Of Music
Office hours & location
Aaron Copland School of Music
Room 203
Queens College C.U.N.Y.
65-30 Kissena Blvd.
Flushing NY 11367
(Tel) 718-997-3800
(Fax) 718-997-3849
Mon-Thurs 9:00 am - 4:45 pm
Friday 9:00 am - 3:00 pm
School Of Music
Office hours & location
Aaron Copland School of Music
Room 203
Queens College C.U.N.Y.
65-30 Kissena Blvd.
Flushing NY 11367
(Tel) 718-997-3800
(Fax) 718-997-3849
Mon-Thurs 9:00 am - 4:45 pm
Friday 9:00 am - 3:00 pm
Music Literature Repertory List
Click here if you want to listen to the excerpts.
- Freshman Music Literature List
- Sophomore Music Literature List
- Junior Music Literature List
- Senior Music Literature List
Freshman Music Literature List
Gregorian Chant- Hymn (text by Thomas Aquinas, ca. 1225-74): Pange lingua gloriosi
- Antiphon (medieval): Hodie Christus Natus Est
- Hildegard of Bingen (1098-1179), Sequence: O Virgo ac diadema
- Anon. (ca. 1250) Belle Doette
- Bernard of Ventadorn (?1135-1195), Quan veh la lauzeta mover
- Francesco Landini (1325?-1397), Ochi dolente
- Johannes Ciconia (1335-1411), O Padua sidus praeclarum
- Josquin Desprez (c. 1440-1521), Mille regretz
- Giaches Wert (1535-1596), Giunto alla Tomba
- William Byrd (c. 1539-1623), Variations on John come kiss me now
- Girolamo Frescobaldi (1583-1643) Capriccio sopra ut, re, mi, fa, sol, la
- Barbara Strozzi (1619-1677), L:eraclito amoroso
- Lamento della ninfa
- O quam tu pulchra es
- The Four Seasons, Op. 8 (1723): #4, Winter
- Giulio Cesare (1724), Act III
- Israel in Egypt (1739), Part II (Exodus)
- Fantasia and Fugue in g, BWV 542 (1708)
- Concerto for 2 violins in d, BWV 1043 (1717)
- “Brandenburg” Concerto #4 in G, BWV1049 (1720)
- Symphony No. 104 (1795)
- Piano Concerto in C minor, K. 491 (1786)
- Symphony No. 40, K. 550 (1788)
- Symphony No. 41, K. 551 (1788)
- Piano Sonata, op. 13 (“Pathétique”) (1798)
- Piano Sonata, op. 57 (“Appassionata”) (1805)
- Symphony No. 7, op. 92 (1812)
- Symphony No. 9, “From the New World” (1893)
- Symphony No. 4 (1900)
- Overture, A Midsummer Night’s Dream (1826)
- Symphony No. 4 (“Italian”) (1833)
- Violin Concerto, Op. 64 (1844)
- La bohème, Act 1 (1894-5)
- Il barbiere di Siviglia (1816), Overture and Act 1
- Symphony No. 8 (“Unfinished”) (1822)
- Till Eulenspiegels lustige Streiche, op. 25 (1895)
- Symphony No. 5, op. 64 (E minor) (1888)
- Overture to Der Freischütz (1821)
- Sonata No. 4 (1903)
- Three Places in New England (1914): 1. The St. Gaudens in Boston Common, 2. Putnam’s Camp, 3. The Housatonic at Stockbridge
- Daphnis et Chloé Suite No., 2 (1909-12)
- Le Sacre du Printemps (1910-13): 1. Introduction, 2. The Augurs of Spring, 3. Mock Abduction, 4. Spring Rounds, 5. Games of Rival Tribes, 6. Procession of the Sage, 7. Adoration of the Earth, 8. Dance of the Earth. Part 2: 9. Introduction, 10. Mystic Circles of the Young Girls, 11. Glorification of the Chosen One, 12. Evocation of the Ancestors, 13. Ritual Action of the Ancestors, 14. Sacrificial Dance
- Billy the Kid (1938):1. Introduction. The Open Prairie, 2. Street in a Frontier Town, 3. Mexican Dance and Finale, 4. Prairie Night (Card game at night), 5. Gun Battle, 6. Celebration (after Billy’s capture), 7. Billy’s Death, 8. The open Prairie again
Sophomore Music Literature List
Medieval Polyphony- Pérotin (c. 1200), Viderunt omnes
- Guillaume de Machaut (1300-1377), De fortune
- Guillaume Du Fay (1400-1474), Ave regina caelorum III
- Josquin Desprez (c. 1440-1521), Inviolata, integra et casta est Maria
- Josquin Desprez (c. 1440-1521), Missa Pange lingua (Kyrie, Agnus dei)
- William Byrd (c. 1539-1623), Mass for Four Voices (Kyrie, Credo, Agnus Dei)
- Tomás Luis de Victoria (c. 1548-1611), O magnum mysterium
- Josquin Desprez (c. 1440-1521), Missa L’homme armé sexti toni (Kyrie, Agnus dei)
- Giovanni Gabrieli (c. 155?-1612), Canzon in echo duodecimi toni
- Vespers of 1610, Magnificat
- Cruda amarilla, che col nome ancora
- Orfeo, Toccata, Prologue, Act II and Act III (Possente spirto)
- Saul, Saul
- Ich bin die Auferstehung
- Dido and Aeneas (1688-90), Act III
- Nun komm, der Heiden Heiland, BWV 659 (1708)
- WTC I: Prelude & Fugue in c# minor (1722)
- Jesu, der du meine Seele, BWV 78 (1724)
- WTC II: Prelude & Fugue in D, BWV (1738)
- Symphony No. 49 (“La Passione”) (1768)
- String Quartet, Op. 20, No. 5 (H.III,35 F minor, 1781)
- String Quartet, Op. 76, No. 2, D minor (1793-97)
- Die Schöpfung (“The Creation”) (1798)
- Sonata No. 8 in A minor, K. 310 (1778)
- String Quartet, K. 465 (“Dissonant”) (1785)
- The Marriage of Figaro, K. 492 (1786), Act I
- Requiem, K. 626 (1791), Introit, Kyrie, Dies irae
- Symphony No. 3, op. 55 (“Eroica”) (1803)
- Overture to Leonora No. 3, op. 72a (1806)
- Piano Sonata, op. 109 (E major) (1820)
- Symphony No. 2, op. 73 (1877)
- Ein deutsches Requiem (1866), op. 45, movements 1–2
- Preludes 1–12 from 24 Preludes, op. 28 (1839)
- Mazurkas (4) , op. 17 (1833)
- Nocturnes (2) , op. 27 (1835)
- Scherzo No. 2, op. 31 (Bb minor/Db major) (1837)
- Impromptus, op. 90, Nos. 2-4 (1827)
- Seven Songs (1815-1826): “An die Musik”; “An Silvia”; “Heidenröslein”; “Im Abendrot”; “Der Musensohn”; “Die Forelle”; “Der Tod und das Mädchen”
- Dichterliebe, op. 48 (1840)
- La Mer (1903-05): 1. De l'aube a midi sur la mer (“From dawn to noon on the sea”), 2. Jeux de vagues (“Games of waves”), 3. Dialogue du vent et de la mer (“Dialogue of the wind and the sea”)
- Three Piano Pieces, Op. 11 (1909)
- Five Orchestra Pieces, Op. 16 (1909):1. Vorgefühle (“Premonitions”), 2. Vergangenes (“Yesteryears”), 3. Summermorgen an einem See (“Summer Morning by a Lake”), 4. Peripetie (“Peripetia”), 5. Das obligate Rezitativ (“The Obligatory Recitative”)
- Wozzeck, Act III (1914-21)
- Symphony No. 1 (1926-27)
- Duke Ellington (1899-1974), A Tone Parallel to Harlem (1951)
- Louis Armstrong (1901-1971), West End Blues (1928)
- Coleman Hawkins (1904-1969), Body and Soul (1939)
- Art Tatum (1909-1956), Tenderly (1951)
- Dizzy Gillespie (1917-1993), Charlie Parker Salt Peanuts (1945)
- Machito Orchestra, Afro Cuban Jazz Suite (1950): 1. Cancion, 2. Mambo, 3. Mambo (cont.), 4. 6/8, 5. Jazz, 6. Rhumba Abierta (17:28)
Junior Music Literature List
Johann Sebastian Bach (1685-1750)- St. Matthew Passion, BWV 244 (1729), Nos. 1-23
- Singet dem Herrn ein neues Lied, BWV 225 (1727)
- Partita II in d for violin alone, BWV 1004 (1720), chaconne
- English Suite II in a, BWV 807 (1715)
- “Italian” Concerto, BWV 971 (1735)
- Viola Quintet in G minor, K. 516 (1787)
- Clarinet Quintet, K. 581 (1789)
- Symphony No. 9, op. 125 (1824)
- Piano Concerto No. 4, op. 58 (1806) (G major)
- Piano Quintet, op. 34 (1862)
- Violin Concerto, op. 77 (1878)
- Symphony No. 4, op. 98 (1885)
- Clarinet Quintet, op. 115 (1891)
- Ballade No. 4, op. 52 (F minor) (1843)
- Sonata in B Minor (1853)
- Fantasy, op. 17 (1838)
- Piano Quintet, op. 44 (1842)
- Violin Concerto, op. 35 (1878)
- Préludes, Book I (1910), Nos. 2 Voiles, 7 Ce qu’a vu le vent de l’ouest, 10 La Cathédrale engloutie
- Sonata No. 9 (1913)
- Octet for Winds (1922-23)
- Fünf Sätze, Op. 5 (1909), string orchestra version
- Poème électronique (1958)
- Rhapsody (1970)
- Piano Variations (1930)
- Sextet (1937)
- Piano Sonata (1945-46)
- Piano Sonata (1949)
- Philomel (1964)
- Atmosphères (1961)
- Lux Aeterna (1966)
- Notations (1977 version)
- Sinfonia (1968-69), movements 2 (“O King”) and 3 (“In ruhig fliessender Bewegung”)
- Gesang der Jünglinge (1955-56)
- Drumming (1970-71)
- Six Fantasies on a Poem by Thomas Campion (1978-79): 1. Her Voice, 2. Her Presence, 3. Her Reflection, 4. Her Song, 5. Her Ritual, 6. Her Self
- Short Ride in a Fast Machine (1986)
Senior Music Literature List
Jean-Philippe Rameau (1683-1764)- Hyppolyte et Aricie (1733), Prologue and Act 1
- Mass in B minor, BWV 232 (1724), Kyrie and Gloria
- String Quartet, op. 59, no. 2 (E minor) (1806)
- String Quartet, op. 131 (C# minor) (1826)
- Piano Pieces (4), op. 119 (1891): 1. Intermezzo, 2. Intermezzo, 3. Intermezzo, 4. Rhapsodie
- Symphony No. 4 (1880)
- String Quintet, C major (1828)
- Rigoletto (1851), Act III
- Otello (1887), Act I
- Tristan und Isolde (1858), Prelude and Act I
- Gaspard de la Nuit (1908): 1. Ondine, 2. Le Gibet (“The Gallows”), 3. Scarbo Chansons madécasses (1925-26): 1. Nahandove, 2. Aoua Mefiez-vous des blancs (“Aoua Fear the whites”), 3. Il est doux de se coucher (“It is sweet to lie down”)
- Agon (1954-57)
- String Quartet No. 4 (1936)
- String Quartet No. 4 (1928)
- Music for Strings, Percussion and Celesta (1936)
- Concerto, Op. 24 (1931-34)
- Ionisation (1929-31)
- Lyric Suite (1928)
- Piano Sonata No. 7 (1938-42)
- Porgy and Bess, Act I (1933-35)
- String Quartet No. 8 in C minor, Op. 110 (1960)
- A Symphony of Three Orchestras (1976)
- Quatre études de rythme (1950): 1. Ile de feu 1 (“island of fire 1”), 2. Mode de valeurs et d’intensités (“Mode of [rhythmic] values and intensities”), 3. Neumes rythmiques (“Rhythmic neumes”), 4. Ile de feu 2 (“Island of fire 2”)
- Oiseaux Exotiques (“Exotic birds”) (1955-56)
- Metastaseis (1953-4)
- Pli selon pli I Don and II Improvisation sur Mallarmé I (1957)
- Sequenza III for female voice (1966)
- Ancient Voices of Children (1970), I. El niño busca su voz, Dances of the Ancient Earth, II. Me he perdido muchas veces por el mar
Current Students
- General Requirements
- LASAR Requirements
- Music Courses
- General Information
- Degree Requirements
- Non-Degreee Programs
- Non-Curricular Requirements
- Music Repertory Lists
- Music Listening Lists
- Music Education
- Semester Plan
- Registration
- Declaring a Major
- Undergraduate Advisors
- Master of Arts Degree
- MA in Conducting
- MS Programs in Music Education
- Graduate Advisors
- Important Dates
- Schedules
